Tuesday, 27 October 2026
J-Pop & Music

NHK’s Acclaimed Kosuke Kindaichi Series Returns: Fifth Installment of ‘The Devil’s Temari Song’ Confirmed for Broadcast

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Executive Overview

The enduring legacy of Seishi Yokomizo’s legendary master detective, Kosuke Kindaichi, is set to captivate television audiences once more. NHK has officially announced the broadcast schedule for the fifth installment of its highly praised television adaptation series, “The Devil’s Temari Song” (Akuma no Temari Uta).

The two-part dramatic broadcast is scheduled to air on NHK BS and NHK BS Premium 4K, with Part 1 premiering on November 28, 2026, at 21:00, followed by Part 2 on December 5, 2026, at the same hour. The production promises to deliver the atmospheric dread, complex plotting, and intricate character dynamics that have made Yokomizo’s Golden Age detective fiction a cornerstone of Japanese mystery literature.

NHK版金田一シリーズ第5弾『悪魔の手毬唄』放送日決定。吉岡秀隆、宮沢りえのコメント到着 | CINRA

As part of the promotional rollout, NHK has also scheduled a comprehensive three-week omnibus broadcast block leading up to the premiere, ensuring both long-time fans and new viewers can immerse themselves in the rich tapestry of Kindaichi’s investigations. This milestone release reinforces the broadcaster’s ongoing commitment to high-end period mystery adaptations, blending faithful literary translation with cinematic production values.


Detailed Chronology & Broadcast Schedule

To accommodate the eager audience and build anticipation for the late-November premiere, NHK has structured a precise broadcast and rebroadcast calendar across its satellite networks.

NHK版金田一シリーズ第5弾『悪魔の手毬唄』放送日決定。吉岡秀隆、宮沢りえのコメント到着 | CINRA

Main Broadcast Dates

  • Part 1 Premiere: November 28, 2026, at 21:00 (NHK BS / NHK BS Premium 4K)
  • Part 2 Premiere: December 5, 2026, at 21:00 (NHK BS / NHK BS Premium 4K)

Special Omnibus & Rebroadcast Schedule (13:00 JST)

For viewers seeking a refresher on previous narrative arcs or wishing to experience the atmospheric craftsmanship leading up to the fifth installment, NHK BS has scheduled a special three-week rerun block:

  • November 8, 2026 (13:00): Selected previous broadcast highlights and retrospective content.
  • November 15, 2026 (13:00): Special edition omnibus — Part 1.
  • November 22, 2026 (13:00): Special edition omnibus — Part 2.

This structured rollout is designed to capture peak viewer engagement, capitalizing on the weekend viewing slot to foster community discussion across digital platforms and traditional media outlets alike.

NHK版金田一シリーズ第5弾『悪魔の手毬唄』放送日決定。吉岡秀隆、宮沢りえのコメント到着 | CINRA

Supporting Context & Literary Metrics

The Enduring Appeal of Seishi Yokomizo

Seishi Yokomizo (1902–1981) remains a towering figure in Japanese detective fiction. Alongside Edogawa Rampo, Yokomizo helped define the "authentic mystery" (honkaku) subgenre, characterized by logical puzzles, bizarre and theatrical murders, closed-circle or isolated community settings, and deeply entrenched familial secrets.

Kosuke Kindaichi—his disheveled, unkempt genius detective with a penchant for scratching his bird’s-nest hair—stands in stark contrast to the slick, westernized sleuths of contemporary Western fiction. Kindaichi’s unassuming exterior belies a razor-sharp intellect capable of piercing through decades of deceit, superstition, and local omerta.

NHK版金田一シリーズ第5弾『悪魔の手毬唄』放送日決定。吉岡秀隆、宮沢りえのコメント到着 | CINRA

The Significance of “The Devil’s Temari Song”

“The Devil’s Temari Song” is widely regarded as one of Yokomizo’s absolute masterpieces. Set in an isolated rural village bound by ancient traditions, dark folklore, and haunting nursery rhymes that seem to prophesy a series of gruesome murders, the narrative tests Kindaichi’s deductive limits. The story explores themes of post-war trauma, hidden identities, generational bloodlines, and the inescapable ghosts of the past.

NHK’s adaptation series has consistently drawn critical acclaim for its meticulous production design, atmospheric cinematography, and faithful adherence to the psychological depth of Yokomizo’s source material. By maintaining the historical post-war setting and refusing to modernize the narratives, the production team has successfully cultivated a distinct visual and thematic identity that resonates with purists and modern drama enthusiasts alike.

NHK版金田一シリーズ第5弾『悪魔の手毬唄』放送日決定。吉岡秀隆、宮沢りえのコメント到着 | CINRA

Official Statements & Cast Insights

While formal production notes and character breakdowns accompany the official announcement, the involvement of key creative personnel underscores the high expectations resting on this fifth installment.

Industry analysts note that NHK’s casting philosophy for the Kindaichi series has consistently prioritized dramatic weight over mere star power. The creative team has focused heavily on establishing an authentic sense of place—the claustrophobic atmosphere of rural Japan where old grievances fester just beneath the surface of pastoral beauty.

NHK版金田一シリーズ第5弾『悪魔の手毬唄』放送日決定。吉岡秀隆、宮沢りえのコメント到着 | CINRA

In promotional materials released via the official NHK drama portal, the production team emphasized the delicate balance required to adapt Yokomizo’s labyrinthine plots for television. Translating the dense prose, intricate alibis, and eerie cultural touchstones of the original novels into a fast-paced, visually arresting television format demands rigorous narrative discipline. The creative directors have highlighted their dedication to preserving the poetic horror of the central "temari song" murders, ensuring that viewers will be kept guessing until the final, shocking revelation.


Future Outlook & Industry Impact

The confirmation of “The Devil’s Temari Song” as the fifth entry in NHK’s Kosuke Kindaichi television run signals a healthy, ongoing appetite for high-quality domestic period mysteries. In an era dominated by fast-moving contemporary procedurals and speculative sci-fi, serialized classic mystery adaptations offer a deliberate, immersive alternative that rewards attentive viewing.

NHK版金田一シリーズ第5弾『悪魔の手毬唄』放送日決定。吉岡秀隆、宮沢りえのコメント到着 | CINRA

Furthermore, the strategic use of multi-platform broadcasting—spanning linear satellite television, high-definition 4K streams, and comprehensive digital companion features—demonstrates NHK’s robust engagement model. As public and critical interest mounts ahead of the November 28 premiere, “The Devil’s Temari Song” is well-positioned to become one of the definitive television talking points of the late 2026 season.

For mystery aficionados and followers of Japanese dramatic arts, the return of Kosuke Kindaichi is more than a nostalgic revival; it is a masterclass in atmospheric storytelling, proving that human darkness and logical brilliance never go out of style.

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